Work on Giacomo Manzù’s bronze begun by sampling and examining the sculpture with the aid of fluorescent analysis and X rays. Oxidation and corrosion phenomena were detected; deposits of sand, silt, and clay were identified on the surface that was submerged by water; and saline efflorescence was discovered on the rest of the surface. The repairs began at the end of February 2020, were suspended for approximately two months during the SARS-CoV-2 pandemic, and resumed in May. The renovation process on Manzù’s Cardinal was concluded at the end of August 2020.

Manzù started dedicating himself to the cardinal theme in the mid Thirties, struck by a visit to Saint Peter’s Basilica in the Vatican. In 1939 at the third Quadrennial in Rome, Giacomo Manzù presented his first version of the subject, which was then revisited in later works and then displayed in his personal exhibition at the 1948 Biennial, and in the 1956 Biennial, where he unveiled fourteen bronze sculptures, among which two versions of the Cardinal. In this second occasion, the International Gallery of Modern Art’s acquisitions Commission for the venetian exposition decided to purchase the 1955 piece on show today at Ca’ Pesaro. The sculpture’s base is marked by the MAF artistic foundry in Milan, Italy.

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